Nadav Lapid’s Film ‘Yes’ Is Intended to Anger Both Israel’s Right and Left
The director Nadav Lapid uses his work to confront his discomfort with nationalism in his home country, never more so than in “Yes.”
The director Nadav Lapid uses his work to confront his discomfort with nationalism in his home country, never more so than in “Yes.”
The Tehran home of the acclaimed Iranian director Abbas Kiarostami was damaged in strikes this week. His son Ahmad pushed back on efforts by the government to seize on his legacy.
“The Voice of Hind Rajab,” “All That’s Left of You” and “Palestine 36” each tries to unpack the complex lives of Palestinians.
Mehdi Mahmoudian, co-writer of “It Was Just an Accident,” was one of several people detained after signing a letter objecting to the crackdown on protests.
Despite a ceaseless battle against government censors, he was celebrated as one of his country’s greatest auteurs, winning praise from luminaries like Martin Scorsese.
His 2002 documentary “Jenin, Jenin” exposed the often harsh realities of life experienced by his fellow Arabs in Israel.
In an open letter, Javier Bardem, Olivia Colman and other stars pledged not to work with Israeli film companies that, in their view, “are implicated in genocide.”
In the days leading up to the festival, hundreds of film professionals signed an open letter demanding that the star-studded event take a stance against the crisis in Gaza.
In the days leading up to the festival, hundreds of film professionals signed an open letter demanding that the star-studded event take a stance against the crisis in Gaza.